{"id":30,"date":"2019-09-20T17:26:57","date_gmt":"2019-09-20T17:26:57","guid":{"rendered":"http:\/\/gborchert.com\/blog\/?page_id=30"},"modified":"2023-04-29T01:03:53","modified_gmt":"2023-04-29T01:03:53","slug":"research","status":"publish","type":"page","link":"https:\/\/gborchert.com\/blog\/index.php\/research\/","title":{"rendered":"Research"},"content":{"rendered":"\n

Below is a brief summary of my academic and professional\nachievements. Please see my CV<\/a> for a more complete list of my\nprofessional activities.<\/p>\n\n\n\n

Doctoral Studies<\/strong>, Department of Philosophy, University of \u00c9vora, Portugal, 2017; Department of History, University of Turku, Finland, 2013-2014<\/p>\n\n\n\n

Master of Music<\/strong>,\u00a0 University of Glasgow, 2013. Thesis: Sistema Scotland: A Critical Inquiry into the Implementation of the El Sistema Model in Raploch.<\/p>\n\n\n\n

Master of Psychology<\/strong>, Studies in Subjectivity Program, Subjectivity, Politics, and Social Exclusion. Universidade Federal Fluminense, Rio de Janeiro, 2009. Thesis: A Orquestra Sinf\u00f3nica: Uma Nova Economia da Experi\u00eancia Est\u00e9tica. Uma subjetividade do modernismo no contempor\u00e2neo.<\/p>\n\n\n\n

Bachelor of Fine Arts<\/strong>, Jazz & Contemporary Music Program, The New School, New York, NY, 2000.<\/p>\n\n\n\n

Publications<\/strong><\/p>\n\n\n\n

Borchert, G. (2016) Review of Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil by Daniel B. Sharp. Popular Music [Online], 35 (2) May, pp.278-280. Available from: http:\/\/dx.doi.org\/10.1017\/S0261143016000131.<\/p>\n\n\n\n

Borchert, G. (2015) Brazilian Jive: From Samba to Bossa and Rap by David Treece reviewed in Popular Music [Internet], 34 (3) October, pp. 509-511. Available from: http:\/\/journals.cambridge.org\/PMU<\/p>\n\n\n\n

Borchert, G. (2012) El Sistema: A Subjectivity of Time. In Ara\u00fajo, E. and Duque, E. eds. Os tempos sociais e o mundo contempor\u00e2neo. Um debate para as ci\u00eancias sociais e humanas (e-book). Universidade do Minho, Braga, Portugal, pp. 59-80. Available from: http:\/\/www.lasics.uminho.pt\/ojs\/index.php\/cecs_ebooks\/issue\/view\/119<\/p>\n\n\n\n

Borchert, G. (2012) Sistema Scotland: A Critical Inquiry into the Implementation of the El Sistema Model in Raploch. Master Thesis, University of Glasgow.<\/p>\n\n\n\n

Borchert, G. (2009) A Orquestra Sinf\u00f3nica: Uma Nova Economia da Experi\u00eancia Est\u00e9tica. Uma subjetividade do modernismo no contempor\u00e2neo. Master thesis, Universidade Federal Fluminense.<\/p>\n\n\n\n

Work Cited<\/strong><\/p>\n\n\n\n

Baker, G. (2014) El Sistema: Orchestrating Venezuelan Youth. New York: Oxford University Press. University of Glasgow master\u2019s thesis cited.<\/p>\n\n\n\n

Creech, A. et al. (2013) El Sistema and Sistema-Inspired Programmes. A Literature Review of research, evaluation, and critical debates. San Diego, CA: Global Sistema. University of Glasgow master\u2019s thesis cited.<\/p>\n\n\n\n

Logan, O. (2015) Doing Well in the Eyes of Capital: Cultural Transformation from Venezuela to Scotland. In McNeish, J.A. , Borchgrevink, A. & Logan, O. eds. Contested Powers: The Politics of Energy and Development in Latin America. London: Zed Books. University of Glasgow master\u00eds thesis cited.<\/p>\n\n\n\n

Other Publications<\/strong><\/p>\n\n\n\n

Borchert, G. (2013) Brazilian Unrest: Social Contentions in an Emerging Economy. GazetaE.com [Internet]. Gazeta Limited (Oct 17). Available at: http:\/\/www.gazetae.com\/artykuly\/brazils-unrest-social-contentions-emerging-economy.<\/p>\n\n\n\n

Borchert, G. (2007) A institucionaliza\u00e7\u00e3o da tortura no mundo globalizado. Jornal do Grupo Tortura Nunca Mais\/RJ, 22 (62) Setembro, p.12. pdf (in Portuguese)<\/p>\n\n\n\n

Academic Conferences<\/strong><\/p>\n\n\n\n

Borchert, G. (2015) The Symphony Orchestra as a Social Model under post-Fordism. Paper presented at El Sistema and the Alternatives: Social Action through Music in Critical Perspective, University of London (April).<\/p>\n\n\n\n

Borchert, G. (2013) Social Discipline through Instrumental Music Education? A Critique of the El Sistema Pedagogical Model. Paper presented at III Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century, Department of Music, Universidade de \u00c9vora, Portugal (December)<\/p>\n\n\n\n

Borchert, G. (2012) El Sistema: A Subjectivity of Time. Paper presented at the seminar Social Times and the Contemporary World, Universidade do Minho, Braga, Portugal (July).<\/p>\n\n\n\n

Borchert, G. (2010) A Orquestra Sinf\u00f3nica: Uma Nova Economia da Experi\u00eancia Est\u00e9tica. Uma subjetividade do modernismo no contempor\u00e2neo. Paper presented at the VI Coloquio Internacional de Musicologia of the Premio de Musicolog\u00eda, Casa de las Am\u00e9ricas, Havana, Cuba (November).<\/p>\n\n\n\n

Other Events and Conferences<\/strong><\/p>\n\n\n\n

Direitos Humanos – leituras e desafios. (2007) Human Rights Colloquium, Pontif\u00edcia Universidade Cat\u00f3lica do Rio de Janeiro (PUC-Rio) (December 11). Represented Grupo Tortura Nunca Mais (Torture Never More) in the discussion panel, Direito \u00e0 verdade e \u00e0 mem\u00f3ria. Mem\u00f3ria e Verdade: hoje (The Right to Truth and Memory. Memory and Truth: Today).<\/p>\n\n\n\n

Festival of Rio 2007. Rio de Janeiro International Film Festival. (2007) Human rights debate following viewing of Taxi to the Dark Side, dir. Alex Gibney (October 3). Represented Grupo Tortura Nunca Mais; other participants included the film\u2019s editor, Sloane Klevin; Jo\u00e3a Tancredo, ex-President of the Human Rights Commission of OAB (Ordem dos Advogados do Brasil); and Anderson Bussiger Carvalho, syndicate lawyer and effective counsel of OAB-RJ.<\/p>\n","protected":false},"excerpt":{"rendered":"

Below is a brief summary of my academic and professional achievements. Please see my CV for a more complete list of my professional activities. Doctoral Studies, Department of Philosophy, University of \u00c9vora, Portugal, 2017; Department of History, University of Turku, Finland, 2013-2014 Master of Music,\u00a0 University of Glasgow, 2013. Thesis: Sistema Scotland: A Critical Inquiry into the … <\/p>\n

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